Colossalcon East & Club BASSMODE!

So last Friday I had the opportunity of a lifetime; an opportunity that has been on my bucket list, vision board, whatever you call it! I FINALLY got the opportunity to DJ at an anime convention, but it wasn’t just any anime convention. For the past 10+ years or so, I’ve gone to a dozen of anime and gaming conventions, and each one had a different atmosphere to them. Some had that early-mid 2000’s old school vibe that I came to know when I first started going to anime conventions. Others were more like the modern-day cons of today; industry-driven panels, exotic car shows, EDM festival-adjacent afterparties, the whole nine yards!

For me however, I’m an otaku of an elder age (I’ll be 35 in November), and with that comes a new set of interests in terms of convention atmosphere. I have no issue with the family-friendly route anime conventions are taking nowadays, but this convention that I got the opportunity to DJ for, felt like I was among friends that were in my age group. This convention felt more like a party, than an actual con (even though it is). This con is as colossal as the name itself; Colossalcon East.

What is Colossalcon East?

Like any other anime convention, Colossalcon East is a multi-day convention filled with everything that you’d normally find at a con; cosplay, anime, gaming, dealer’s room, artist alley, panels, voice actors, you get the gist. What makes this convention different is the fact that its the only con in the Mid-Atlantic region that is a 4-day event! (Most cons are 1-3 days.) Another thing that makes this con different than any of the others that I’ve been to, is the party-like atmosphere. While Colossalcon East is an anime convention, it’s also known by attendees as a ‘Partycon’. From the moment I set foot inside the Kalahari hotel, I felt it.

There were DJs stationed in the lobby preppin’ for lobby parties later that night. Attendees had their hotel doors decorated to match whatever anime/shenanigans they plan on getting into later in the evening. Multiple afterparties were being held in the “BIG 5” suites of the Kalahari (which you have to be 21+ to enter). And finally, the After Hours Rave in the Waves party.

The After Hours Rave Party!

If I had to describe Colossalcon East in a nutshell; it’s an anime convention by day, and Spring Break in Florida by night! With me being a first-timer, it was definitely something different. I’m pretty sure there were a lot of other attendees who have gone to this convention for their first time, so if I had any advice for those who plan on pullin’ up in 2025; go out, socialize, have fun, and bring a lotta cash! My only regret is that I didn’t stay longer, but that’s something I plan to rectify come CCE 2025! (I would’ve made this review a bit longer, but I was only there for two days.)

So if you’ve read the title of this post, I not only talk about my experience at Colossalcon East, but also the name change of BASSMODE: Nerdz Nite Out, to Club BASSMODE!

Club BASSMODE logo

Club BASSMODE is new in ‘name only’, so it’s basically the same DJ & Nerd Party Entertainment promotion you’ve come to know; since the first event back in March. We’re still on a mission to bring the ‘Club Life’ to anime, cosplay, and gaming nerd culture in Baltimore, MD. (And possibly York, PA!) The first event that will take on the new name is Club BASSMODE RetroBash: Shounen Showdown 2, in late-March 2025!

So that will do it for my Colossalcon East review, and the new name for BASSMODE: Nerdz Nite Out. Until next time, keep spinnin’! 😉

2-Track Minimum: Why I Don’t Produce (Make) Albums Anymore

Since I became a DJ in 2020 (also known as the ‘Era of the Pandemic DJs’), I’ve noticed a trend among DJ/Producers in the EDM space. Yes, I’m already aware that EDM is the ‘Rock & Roll’ of my generation as well as Gen Z, but the trend that I’m noticing is DJ/Producers (especially the up-and-coming ones) are dropping 2-track singles and EPs. I’m guessing this started happening for the digital music streaming era during 2021 and 2022, but honestly this format isn’t anything new. Artists like The Beatles and Prince & The Revolution released what was called a Double-A Side Single (two singles on one vinyl record) back during the 1960s-1980s. (Strawberry Fields Forever/Penny Lane and Let’s Go Crazy/Take Me With U.) Now with the way music trends are (especially when it comes to Spotify and TikTok), artists have started dropping singles on a consistent basis just to stay relevant with the times.

DJs and EDM producers have also adapted the ‘2-track release’ format, as since the umbrella-termed music genre is now a ‘singles-driven’ market. When I started producing professionally in 2019, I was a noob in trying to figure out if I should release an album or an EP. One year later I dropped my first EP; Minddgames.

My debut EP

I would’ve never figured out how to release my music on all major (and minor) music streaming platforms through DistroKid, had it not been for a fellow artist named King Shabazz (shout-out to the King, I appreciate you)! If there’s one thing I’ve learned as a music producer, its that albums take much longer to release than singles and EPs. Why? Because an album is a much larger body of production, and the creative process is geared towards telling a story, or even creating a feeling depending on the style and mood of the songs that are on it. The average number of songs on an album is between 9-13, and out of those 13, at least one or two of those songs may gain a spot on a Top 20 playlist.

Another thing that may be driving the return of the 2-track single release (or EP), is attention span. Unless you’ve established yourself 20+ years ago with multiple singles, albums, and EPs (and even have a dedicated fanbase like Beyonce’ and Taylor Swift), you’re gonna have to drop releases on a frequent and consistent basis to even get ‘noticed’ on the charts. If you’re an Electronic Music Producer & DJ, all it takes is one banger of a track (and the right amount of marketing), and you’ll be on the road to chart-topping success in no time.

That’s why I’ve decided to switch up the way I produce music these days; I like producing albums and EPs, but later I find myself in ‘creative fatigue’ with arrangements that sound like previous arrangements to tracks that I’ve already released. Also I’ve taken a more ‘quality over quantity’ approach with how I produce my music, so that listeners and enthusiasts who are looking for something EDM-adjacent, may give my discography a shot. Maybe somewhere down the line if my fanbase gets larger I’ll release a new album, but for now, two tracks is good enough for me!

Until next post, keep spinnin’!  Â